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Sean Xeon McManus interview

Another fine interview in a series of fellow Body Artists, this time with SeanXeonMcManus who worked with me at Piercing Experience, and a contest to win a copy of his Film, “The Marionette”!

Avoid Long Delays in Instrument Decontamination, Reprocessing

Leaving instruments unprocessed for any period of time can lead to the development of biofilm. The recommendation is to begin the cleaning process as soon as possible. As a matter of fact, a number of manufacturer’s instructions for use (IFUs) are now specifying the time frame that cleaning should be implemented. This ranges from “immediately after use” to “within 10, 20 أو 30 دقائق;” it varies with the device/instrument manufacturer. The manufacturer’s IFUs should always be followed.

APP: نقطة #73

As President of the Association of Professional Piercers, I have a regular editorial column in The Point magazine. قضية 73 editorial Please enjoy

The Fabrikator by Bruce Sterling

THE FABRIKATOR WAS UGLY, noisy, a fire hazard, and it smelled. Borislav got it for the kids in the neighborhood.

One snowy morning, in his work gloves, long coat, and fur hat, he loudly power-sawed through the wall of his kiosk. He duct-taped and stapled the fabrikator into place.

The neighborhood kids caught on instantly. His new venture was a big hit.

The fabrikator made little plastic toys from 3-D computer models. After a week, the fab’s dirt-cheap toys literally turned into dirt. The fabbed toys just crumbled away, into a waxy, non-toxic substance that the smaller kids tended to chew.

Borislav had naturally figured that the brief lifetime of these toys might discourage the kids from buying them. This just wasn’t so. This wasn’t a bug: this was a feature. Every day after school, an eager gang of kids clustered around Borislav’s green kiosk. They slapped down their tinny pocket change with mittened hands. Then they exulted, quarreled, and sometimes even punched each other over the shining fab-cards.

The happy kid would stick the fab-card (adorned with some glossily fraudulent pic of the toy) into the fabrikator’s slot. After a hot, deeply exciting moment of hissing, spraying, and stinking, the fab would burp up a freshly minted dinosaur, baby doll, or toy fireman.

Foot traffic always brought foot traffic. The grownups slowed as they crunched the snowy street. They cast an eye at the many temptations ranked behind Borislav’s windows. Then they would impulse-buy. A football scarf, maybe. A pack of tissues for a sneezy nose.

Once again he was ahead of the game: the only kiosk in town with a fabrikator….

→ أغسطس 8, 2014

ثقب جسدية

نيك إكمال درجة الماجستير في جامعة ولاية أوهايو في الجسمية والدراسات الثقافية في 2002. المشروع النهائي له, "ثقب جسدية: الفن والطقوس ثقب الجسم "يصور تجاربه في طقوس الجسم فضلا عن ينير بيرسيرس أخرى وجهات النظر بشأن هذه المسألة.

ثقوب لا يمنع: بيرسي ’ المادة من وجهة نظر S

أنت امرأة اخترقت, وقال أن, ابحث في عيني ويبتسم.
أنا رفعت رأسي حتى أن أنا يمكن أن نلقي نظرة خاطفة: بريان Skellie, بلدي بيرسير, أن نجاح طعن لي مع إبرة حتى يمكن أن ارتدى خاتم فضة بحجر الهيماتيت في بلدي السرة.

مؤتمر APP قريبا!

  المؤتمر هو تقريبا علينا! مؤتمر ADVANCED (عبر الانترنت) التسجيل سوف تغلق في منتصف ليلة MAY 17TH, PST أية تغييرات على التسجيل الخاصة بك ينبغي أن …

رابطة Piercers الفنية is an international non-profit organization dedicated to the dissemination of vital health and safety information about body piercing to piercers, المهنيين في مجال الرعاية الصحية, المشرعين, وعامة الجمهور. Socially and legislatively, body piercing is situated within the greater body modification community. وكنتيجة لذلك, we recognize that our role extends beyond the discipline of body piercing. Our position on body art practices such as tattooing, cosmetic tattooing, branding, scarification, suspension, and other forms of body modification is as follows:

→ قد 1, 2013